From deep in the heart of his eighteenth century English manor, millionaire Sir Adrian Beauclerk-Fisk writes mystery novels and torments his four spoiled children with threats of disinheritance. Tiring of this device, the portly patriarch decides to weave a malicious twist into his well-worn plot. Gathering them all together for a family dinner, he announces his latest blow – a...(展开全部)

G.M.马列特多次提名阿加莎奖（最佳处女作、最佳小说），2008年《安逸作家之死》提名为阿加莎最佳处女作奖。2014年，《异教徒的春天》（2013年作品）被阿加莎奖和黛丽丝奖提名。

G.M.马列特多次提名阿加莎奖（最佳处女作、最佳小说），2008年《安逸作家之死》提名为阿加莎最佳处女作奖。2014年，《异教徒的春天》（2013年作品）被阿加莎奖和黛丽丝奖提名。

G.M.马列特多次提名阿加莎奖（最佳处女作、最佳小说），2008年《安逸作家之死》提名为阿加莎最佳处女作奖。2014年，《异教徒的春天》（2013年作品）被阿加莎奖和黛丽丝奖提名。

At the crime scene, Police Detective Kyochiro Kaga recognizes Hidaka’s best friend, Osamu Nonoguchi. Years ago when they were both teachers, they were colleagues at the same public school. Kaga went on to join the police force while Nonoguchi eventually left to become a full-time writer, though with not nearly the success of his friend Hidaka. As Kaga investigates, he eventuall...(展开全部)

At the crime scene, Police Detective Kyochiro Kaga recognizes Hidaka’s best friend, Osamu Nonoguchi. Years ago when they were both teachers, they were colleagues at the same public school. Kaga went on to join the police force while Nonoguchi eventually left to become a full-time writer, though with not nearly the success of his friend Hidaka. As Kaga investigates, he eventuall...(展开全部)

Describes a writer's temperament and how to develop a writer's habits, originality, and insight, imitate exemplary works, read critically, and overcome writing difficulties. This guide to becoming a writer was originally published in 1934. It focuses not just on plotting techniques or prose style, but on the process of developing the habits and discipline of a writer, with b...(展开全部)

克里斯蒂安娜•布兰德（1907－1988） 推理小说黄金时期的最后一位大师，推理小说史上的传奇女子。1941年，当推理小说全盘出现桎梏之际，她竟陆续推出了两部小说，而数年之后，更以一部《绿色危机》敲开无数读者心扉。1946年，她顺利加入了门槛颇高的英国侦探作家俱乐部，自此益发佳作不断，备受瞩目。1972至1973年间，布兰德以其杰出的成就，荣任英国犯罪作家协会主席。

Book Description Arthur Miller seemed to capture the sometimes tragic plight of the common man with his Death of a Salesman. Bloom suggests the strength of the play is puzzling but beyond dispute, lying more in its presentation on stage than its written form. The play's continued vitality is unquestioned. The title, Arthur Miller’s Death of a Salesman, part of Chelsea House ...(展开全部)